Bronze Abstract Sculptures

M​ost of my sculptures are either completely abstract, or “abstracted” ​figures, heads and animals. They span a continuum from representational to abstract, often exploring geometric, organic, and inventive forms. Some key themes in my work include:

  • Geometric forms: circles and spheres are central in pieces like ‘Abstract Wave 2’ and Sphere, where positive shapes and negative spaces interact to create dynamic tension.
  • Tool-inspired shapes: works such as ‘Claw Form’ draw on geometric motifs found in everyday objects.
  • Organic forms: sculptures like ‘Fruits on Trunk’ reimagine natural forms, presenting two or three fruits on a branch in a stylised, abstracted way.
  • Human figures and heads: I simplify, omit, or combine elements to highlight essential forms. For example, in ‘Standing Together’ and ‘Family Group’, limbs are reduced to focus on connection and expression. Pieces like ‘Trumpet Woman’ blend the figure with geometric shapes, creating an original dialogue between form and concept.
  • Inventive abstractions: Works such as ‘Sun and Moon’ and ‘Mother and Child 2’ merge multiple faces or heads into a single form, exploring relationships and dualities.
  • Some sculptures also use exaggeration to evoke ancient archetypes, such as wide hips and slim waists in ‘First Woman’, or pronounced upper arms in ‘Little Venus’, emphasising sensuous round forms.

Sphere 2022

2026-09-28T18:34:30+00:00

Inspired by Georgia o’Keeffe, this sculpture on the face of it represents a flower - as well as a potent feminine symbol.

Sphere 20222026-09-28T18:34:30+00:00

You Can’t Catch me 2006

2026-09-28T18:34:35+00:00

This highly abstracted figurative sculpture is loosely based on a very joyous, free sculpture Pablo Picasso created out of b endable sheet metal. I made it out of clay, fired and coloured with spray paints, finished off with shoe polish  and wax.I was associating along the lines of the “gingerbread man”, whose main achievement in the story I remembered was his ability to get away from people and things, and miraculously come back to life over many occasions -  a Houndini made from flour! The resulting sculpture seems valence while in perpetual motion, all-embracing with his arms, mid-motion running , with one leg in the air, one firmly planted on the ground. Three puzzle-like negative shapes  (= air-shapes  trapped between parts of the sculpture) offer a cohesive form that “holds it all together” in this sculpture .

You Can’t Catch me 20062026-09-28T18:34:35+00:00

Arum Lilly 2015

2026-09-28T18:34:36+00:00

Inspired by Georgia o’Keeffe, this sculpture on the face of it represents a flower - as well as a potent feminine symbol.

Arum Lilly 20152026-09-28T18:34:36+00:00

Abstract Wave 2, 2015

2026-09-28T18:34:36+00:00

This abstract sculpture was a re-making of “Abstract wave 2” , this time with thicker, especially sharper and more defined edges, which gives the from a more substantial and tense feeling.

Abstract Wave 2, 20152026-09-28T18:34:36+00:00

Rolling Wave 2016

2026-09-28T18:34:36+00:00

This abstract bronze sculpture is the fourth in the series of Abstract Waves - this time in the horizontal plane. The overstepping breaker is dynamically moving forward growing in size, volume and power, from a thin tail to a great thickness.

Rolling Wave 20162026-09-28T18:34:36+00:00

Abstract Wave 3, 2009

2026-09-28T18:34:36+00:00

Is spiral in shape, with a higher thinner “tail” above the wider curled up base. The trapped air space is of equal importance to the sculpture. and its shape complements the solid form - not unlike the Ying/Yang symbol. An interior abstract sculpture that also works well in the garden, collecting water in an coincidental birdbath.

Abstract Wave 3, 20092026-09-28T18:34:36+00:00

Abstract Wave 1, 2005

2026-09-28T18:34:37+00:00

Despite being inspired by a wave, this abstract sculpture is not dynamic, but restful and just held in balance: the empty space mostly enclosed by the wave makes space, not volume, the focus of this form. As this space opens up towards the top, there is a looseness, a readiness for change - not a (fore) closure.

Abstract Wave 1, 20052026-09-28T18:34:37+00:00

Big Claw, 2013

2026-09-28T18:34:37+00:00

“Big Claw" represents a voluminous fruit-like form elevated on a thin and rectangular stem, adding drama and contrast to the sculpture.

Big Claw, 20132026-09-28T18:34:37+00:00

Lip Form 2008

2026-09-28T18:34:43+00:00

This abstract ceramic sculpture depicts two voluminous forms angling into opposite directions, relating to each other and united by a common base.

Lip Form 20082026-09-28T18:34:43+00:00

Trumpet Woman 2011​

2026-09-28T18:34:43+00:00

This figural ceramic sculpture of a thin woman, her arm ending in two large trumpet-like shapes was inspired by Chinese ceramic glazed sculptures of ladies with very wide sleeves. The form was very close to full abstraction: when I took the head off the sculpture, no figure could be recognised.

Trumpet Woman 2011​2026-09-28T18:34:43+00:00

Crane Form 2008

2026-09-28T18:34:43+00:00

This abstract ceramic sculpture depicts two voluminous forms angling into opposite directions, relating to each other and united by a common base.

Crane Form 20082026-09-28T18:34:43+00:00
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