Small Bronze Figure Sculptures

With my small figurative bronze sculptures, I use different styles varying from :

  • realistic or naturalistic; 
  • Cubist or planar, emphasising volumes ( “Determined, “Angel”, “Squatting 2”) 
  • highly simplified (“Woman Arms Apart”)
  • abstract-linear (“Stretched Forwards”,”Sitting”,”Squatting 3”, “Dancing”, “Waiting”, “Coming Together , Dancing Apart” ); 
  • And very abstract (“You cant Catch me”)
  • Very compact and solid due to stone carving process 

This is due to a lifetime of sculpting and the different forms of expression I experimented with during three and half decades; but it is also due to the variety of feelings I want to convey.

With my naturalistic figures, I seek an earthy, affectionate expression, describing everyday body shapes in natural movements or postures. Many of my figures are ample, and don’t follow diets to appear fashionably slim; they are not idealised, “classical” figures. They are often sensuous.

Feelings and sensations I describe are for instance:

  • “A state of being”, or restfulness – sedentary figures, expressing pure awareness and sensation, rather than action ( “Squatting 1 & 2 & 3”; “Sitting”, “Lying” “On Haunches” )
  • Yearning (“Singing”, “Sitting”, “Waiting”), a tension between where one is, and where one would like to be
  • Strength, standing one’s ground (“Woman Arms Apart”, “Against the Wind”, “Smallest Woman”)
  • Resistance (“Holding Onto Yourself”, “Determined”) 
  • Movement, dynamism (“Dancing”, “Tumbling 1& 2& 3”, “Angel”) 

With few exceptions, all of my figures are female. Being female myself, this preference derives from a position of empathy and identification, rather than a “male gaze” objectifying female bodies.

Some of the small figures serve as maquettes (= clay sketches) for larger figures more suitable for the garden ”Small Embrace”, “Couple Side by Side”, “Sitting”, “Squatting 2/2” ); many problems of a particular sculpture can be worked on a small scale. Once enlarged, some adaptations still have to be made to fit  better the changed scale of the work.

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